semantic uproar

JIM WEIL

2012-01-13T11:45:00.000-08:00

Amero $ (collage/painting)
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At the Gates (painting)
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Untitled (collage)
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Bantam (collage/painting)
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Cool It (collage/painting)
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Front cover of FNU Ronnies' Saddle Up LP (Load, 2012)
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Back cover of FNU Ronnies' Saddle Up LP (Load, 2012)
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Collage (work in progress)
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Collage (work in progress)
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Collage (work in progress)
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Collage (work in progress)
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Collage (work in progress)
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Collage (work in progress)
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Collage/drawing (work in progress)
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Collage/drawing (work in progress)
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Collage (work in progress)
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Collage (work in progress)
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Studio, S.F.
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Notebook detail
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Notebook detail
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Notebook detail
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Notebook detail
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Notebook detail
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Notebook detail
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Notebook detail
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_________________________________
Jim Weil is an artist based in San Francisco, CA.
He also performs with FNU RONNIES
FNU RONNIES on Facebook

Jim Weil is taking in part in the TARANTISIMO SUMMIT ARTSHOW
in Chicago on 01-13-2012.

All rights reserved|Jim Weil 2012.

A.G. DAVIS II

2011-12-27T14:37:00.001-08:00

Untitled (2011)
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Untitled (2010)
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Termigression (2011)
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Sex Coffin (2011)
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Self-Portrait (2011)
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Self-Portrait (2011)
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Self-Portrait (2010)
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Portrait of Auston K. (2006)*
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Poem (2011)
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Perverse (2011)
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Nunnery (2011)
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Lo Battery (2011)
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I (2011)
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Handy (2011)
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Composition for voice (2011)
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______________________________
All work mixed media by A.G. Davis
(except * by Auston K. and A.G. Davis)
Copyright A.G. Davis 2011

T-SHIRTS BY DOMOKOS

2010-06-12T13:46:00.001-07:00

T-shirts made 2 order by Domokos of Future Blondes
Contact: domokos_at_rocketmail_dot_com
Future Blondes

VIDEOS BY LUCY WATSON/KID ROMANCE

2009-10-26T13:05:00.000-07:00

"Don't You Wanna"

"Snakes In The Water"

"Fuck Punx"

___________________
Kid Romance on Myspace

BRAIN TUNNELS BY JIMMY TREVERTON

2009-09-28T12:18:00.000-07:00

No. 1, 11x17", pen and marker on paper, 2009
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No. 2, 11x17", pen, marker and collage on paper, 2009
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No. 3, 11x17", pen and marker on paper, 2009
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No. 4, 11x17", pen and marker on paper, 2009
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No. 05, 11x17", pen, marker and collage on paper, 2009
(click picture for best view)

__________________________________
All rights reserved, Jimmy Treverton 2009

PAUL BOULET

2009-09-15T14:16:00.000-07:00

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__________________________________
Copyright Paul Boulet/C'est Pas Faux 2009
See more HERE
and HERE

BITING ROCKETS III

2009-08-28T11:30:00.001-07:00

Rocket #29 (click picture for best view)

Rocket #30 (click picture for best view)

Rocket #31 (click picture for best view)

Rocket #32 (click picture for best view)

Rocket #33 (click picture for best view)

Rocket #34 (click picture for best view)

Rocket #35 (click picture for best view)

Rocket #36 (click picture for best view)

Rocket #37 (click picture for best view)

Rocket #38 (click picture for best view)

Rocket #39 (click picture for best view)

Rocket #40 (click picture for best view)

Rocket #41 (click picture for best view)

Rocket #42 (click picture for best view)

Rocket #43 (click picture for best view)

___________________________
Album covers courtesy of QBICO
See older posts for more Biting Rockets

A.G. DAVIS

2009-08-10T12:00:00.000-07:00

Untitled, 2007 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2008 (click picture for best view)

Untitled, 2009 (click picture for best view)

Untitled, 2009 (click picture for best view)

Untitled, 2009 (click picture for best view)

Untitled, 2009 (click picture for best view)

Untitled,2009 (click picture for best view)

_____________________________
All collages and photos by A.G. Davis
Copyright A.G. Davis 2009
Extra Sexes
A.G. Davis at Pendu Arts

STAN REED

2009-07-11T13:33:00.000-07:00

#1. Artist - Blue Sabbath Black Cheer
Title - Dead Death, Death Dead
Media - Large Format B&W Photograph
Year - 2009
For - 12" LP
(Click picture for best view)

#2. Artist - irr.app.(ext.) & At Jennie Richie - Apt. J(ext.)ie Irrchie collaboration
Title - Night Wearing Feathers
Media - B&W Photograph with mordancage process
Year - 2006
For - 3'' CDR
(Click picture for best view)

#3. Artist - Coil, The New Blockaders & Vortex Campaign collaboration
Title - The Melancholy Mad Tenant
Media - Collage
Year - 2008
For - 12" LP
(Click picture for best view)

#4. Artist - Richard Ramirez & MSBR collaboration
Title - Negative / Offensive ( A tribute to The New Blockaders)
Media - Collage
Year - 2009
For - 12" LP
(Click picture for best view)

#5. Artist - The Broken Penis Orchestra
Title - Wet Dream
Media - Collage
Year - 2007
For - 7"
(Click picture for best view)

#6. Artist - Al Qaeda & BBBlood split
Title - untitled
Media - Collage
Year - 2009
For - 7"
(Click picture for best view)

________________________________________
Stan Reed is Violence, Vox, Horns, Tapes, Grinders,
and Creaky Things in Blue Sabbath Black Cheer

BSBC MYSPACE

BSBC WEBSITE

GNARLED FOREST BLOGSPOT

Copyright Stan Reed 2009

DAN DLUGOSIELSKI

2009-06-28T11:54:00.000-07:00

Xiphiidae - "Crystal Marvelous Fruit" EXBX-035, 2008
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Yeast Curd - "Barefoot in the Dark" EXBX-046, 2008
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Pink Chunk Jass Band / Invasion Status - "The Listener" EXBX-047, 2009
(Click picture for best view)

Vortex Trio - "Live Dead" EXBX-052, 2008
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Mold Resin - "Plays Beyond the Door II" EXBX-061, 2008
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Download here

2008
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2008
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2009
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2009
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2009
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2008
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2008
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Body Morph - "Centipedes" EXBX-072, 2009
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Mossy Throats - "Cold Lunch" EXBX-073, 2009
(Click picture for best view)
Download here

Dream Safari - "Buried Mics" EXBX-074, 2009
(Click picture for best view)

Body Collector - "Acidic Maze b/w Cold Bred Scum" EXBX-077, 2009
(Click picture for best view)

Uneven Universe - "Live at Cosmic Beach" EXBX-087, 2009
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Feminine Toner - "More Relaxed" EXBX-093, 2009
(Click picture for best view)

Andrew Coltrane - "Systems and their Self-Organization" EXBX-096, 2009
(Click picture for best view)

______________________________________________________
Download Uneven Universe/Villa Valley - Saint Louis Blues exbx-014
Download Strange Water - Sunken By Seaweed exbx-020
Download Body Morph - Mountain Manglings Vol. 4 exbx-059

Downloads courtesy of
EXBX TAPES

Copyright Dan Dlugosielski 2009

CULT PUMP BY ZVEN BALSLEV

2009-06-16T04:34:00.000-07:00

Cult Pump 1-4 (click picture for best view)

Excerpt from Cult Pump no. 1 (click picture for best view)

Excerpt from Cult Pump no. 3 (click picture for best view)

Excerpt from Cult Pump no. 1 (click picture for best view)

Excerpt from Cult Pump no. 2 (click picture for best view)

Excerpt from Cult Pump no. 1 (click picture for best view)

Excerpt from Cult Pump no. 2 (click picture for best view)

Excerpt from Cult Pump no. 1 (click picture for best view)

Excerpt from Cult Pump no. 3 (click picture for best view)

Excerpt from Cult Pump no. 2 (click picture for best view)

Excerpt from Cult Pump no. 1 (click picture for best view)

Excerpt from Cult Pump no. 4 (click picture for best view)

_____________________________________________
Cult Pump no. 1 is printed by Opuntia Books (Portugal)
Laser print on 80 g/m2 recycled paper
Cult Pump no. 2-4 are xeroxed at Smittekilde Press (Denmark)
Copyright Opuntia Books/Zven Balslev 2009

Links:
http://www.opuntia-books.blogspot.com/
http://www.smittekilde.blogspot.com/

BITING ROCKETS II

2009-06-01T01:37:00.001-07:00

Rocket #17 (click picture for best view)

Rocket #18 (click picture for best view)

Rocket #19 (click picture for best view)

Rocket #20 (click picture for best view)

Rocket #21 (click picture for best view)

Rocket #22 (click picture for best view)

Rocket #23 (click picture for best view)

Rocket #24 (click picture for best view)

Rocket #25 (click picture for best view)

Rocket #26 (click picture for best view)

Rocket #27 (click picture for best view)

Rocket #28 (click picture for best view)

___________________________
Album covers courtesy of QBICO
More covers coming soon

MASSIMILIANO BOMBA

2009-05-23T16:21:00.000-07:00

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_____________________________________
All works by Massimiliano Bomba 2008-2009
A4/felt pen/pencil/Pantone color/photo collage
Copyright Massimiliano Bomba

Links:
http://www.flickr.com/photos/massimilianobomba
http://www.therawraw.blogspot.com
http://www.myspace.com/massimilianobomba

JONAS FREDERIKSEN

2009-04-22T14:23:00.000-07:00

Tweak Tymes (click picture for best view)

Last Styles (click picture for best view)

Original Fever (click picture for best view)

Easy Miracle (click picture for best view)

Ozzy (click picture for best view)

Vangeliean Flower Deco (click picture for best view)

Portal Tropicales - front (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

Portal Tropicales - excerpt (click picture for best view)

_______________________________________________
Portal Tropicales features work by:
Bart De Paepe, Jonas Frederiksen, Martin Coffee Anarchy,
Magnus Aabro, Anine Aabro, Lottery James, Matt Mondanile,
Steven Warwick, Loke J. Rahbek, Nønne Hoffmeyer,
Christian Simon, Lieven Martens, Jani Hrvñ, Puma Cotopex
Copyright Jonas Frederiksen 2009

INTERVIEW WITH JONAS FREDERIKSEN

2009-04-22T13:35:00.000-07:00

B and F via e-mail, April 2009

S+U: You're taking a break from Beyond Repair and focusing on your own music – a.k.a. Dreamers Cloth.
Can you tell me a little about this decision? Did you get bored with the kind of music you were releasing on Beyond Repair or did you just need some change?

Jonas: Well, I've been doing Beyond Repair with my friend Simon since the summer of ‘05 and it was a lot of fun.
I did not get bored with the kind of music released through Beyond Repair, but to be honest I got bored with putting out music by other people. So, I've put Beyond Repair to sleep for some time to focus on my own music.

S+U: Your other current projects, besides Dreamers Cloth, "Relax with Nature" and "Mind Beach" have sort of a New Age ring to them - what do these concepts mean to you and what kind of atmosphere are you trying to evoke?

Jonas: I think Mind Beach is whenever you rest your thoughts on something – and that could be anything really... Mind Beach is a picture of this static “thought gazing". But, also when you’re having many concurrent thoughts and the next minute everything seems solved and you rest your mind on one specific thing. This way, “Mind Beach” works as a landing strip for your thoughts.
That is a picture I find really beautiful.
Relax with Nature is my idea of chilling out and going with the flow.
I found out later that it’s actually an already existing New Age label. It was not my intention to copy this, however.

I think that what I’m trying to evoke is an atmosphere of a place where civilization and culture is non-existing.
Maybe I should call it cultural-civilization, since our concept of civilization is defined and interpreted via our culture.
What I’m talking about is a place – or a state of mind, which becomes real the very second cultural-civilization is cancelled, and all that is left is nature – BUT – a new nature (New Natural Reality) where, amongst other things, communication between individuals isn’t corrupted by words.
I know this sounds really romantic and it’s also paradoxical to try to describe a place free from culture by means of words!
Ironically, the way things work right now, it’s impossible to reach this place without the aid of cultural-civilization and a vague attempt in trying to describe this place can only be done by one person to another by means of culture.

This is a problem, because you can ask me “why this” and “why that” etc. and the answers I give you will never be correct, since most of it is just a feeling which can never be properly described by means of culture.
This is also why I’m not into forcing people to listen to my music or look at my art.

S+U: Why not?

Jonas: First of all, I’m not able to say anything really useful about it, nor do I want to defend it.
People like it – or they don’t. I do not want to spend my time convincing anyone about anything.
Those meant to be are turned on by “Relax with Nature” and “Mind Beach” just by reading the words – no reflection needed. I simply can’t speak for those who aren’t. It’s not in my interest.
So, maybe what I really want to say is just to go with the flow and rest only your thoughts on what you actually find useful.

S+U: When I look at the collages you sent me, I get slightly puzzled. Technically there's nothing fancy about them (which is perfectly OK), but the images seem like they were chosen very carefully to convey a specific mood.
"Tweak Tymes" seems a bit sad, where "Last Styles" and “Original Fever" look like you've been practicing using some kind of 80s interior decorator computer software.
Do you mind explaining a little bit about each of the six?
Just a couple of words...

Jonas: There is nothing fancy about them, that's true. All of them were done pretty quickly, but the idea is still strong.
I think it is good when things are a bit “hand to mouth” - “I like this picture and I like that one, too - I will put them together”... One picture represents one mind frequency and the other picture represents another mind frequency. Put together the collage becomes a piece of a puzzle representing a larger grid of frequencies travelling with hyper speed back and forth through the mind, so you just gotta nail them when they’re there.

“Tweak Tymes” is all about 90s raves, which is a scene I find really inspiring. One massive organic mass of love and pure energy wanting and knowing that there is more to life than the apparent.
The rave mass tweak time by using their collective consciousness and step out of the apparent cultural grid. Like an orbiting planet being hit by a meteor and forced to work its way into the old orbit again - but richer and more enlightened.
And maybe it’s a bit sad too, since I never experienced a rave back then and the fact that it will never happen in the same spirit. Still, it’s a nice place to rest one’s thoughts.

“Last styles” is when Man is at the threshold of entering a new age - the last styles of the last age.

“Original Fever” is the fever you get when you find out how much civilization and culture is shackling your thoughts.
And yes, I am interested in interior décor as you can also see in “Easy Miracle”.

Ozzy is about experiencing natural ecstasy.

“Vangeliean Flower Deco” is the hand from the cover of Vangelis’ “Heaven and Hell” on top of a really classic looking flower bouquet. I like classic art and Vangelis.

S+U: If you don't mind, I'd like to include a few snapshots from Relax with Nature's "Portal Tropicales" zine.
Can you explain a little bit about that project?

Jonas: “Portal Tropicales” was just a really easy-vibed zine project featuring drawings/pictures/etc. from my friends around the globe.
I will definitely make more zines in the future.

S+U: Dreamers Cloth is embarking on a small tour soon. How many shows are you doing and how do you feel about playing live?

Jonas: So far it looks like 5 – 7 live shows, a DJ-gig, a solo exhibition and a group exhibition.
I feel really geared up about playing live at the moment.

Links:
http://www.myspace.com/beyondrepairrecords

JON READ

2009-04-16T13:42:00.000-07:00

Alien Woman and Angel, 2006, 11" x 8.5", acrylic on paper
(click picture for best view)

Battle in Heaven, 2005, 16" x 24", acrylic on paper
(click picture for best view)

Cowboy vs. Angel, 2006, 12" x 16"acrylic on paper
(click picture for best view)

God 2, 2006, 6" x 10", acrylic on paper
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5000 Years, 2006, 16" x 24", acrylic on paper
(click picture for best view)

God and Satan, 2006, 36" x 22", acrylic on paper
(click picture for best view)

War Party, 2006, 28" x 40" , acrylic on paper
(click picture for best view)

Bodypainting, 2006, 24" x 16",acrylic on paper
(click picture for best view)

Fun Lake, 2007, 8.5" x 11", acrylic on paper
(click picture for best view)

Giant Mutant Lovers, 2007, 8.5" x 11", acrylic on paper
(click picture for best view)

Payback, 2008, 8.5" x 11", acrylic on paper
(click picture for best view)

Indian Girl Meets Angel, 2006, 16" x 20", acrylic on paper
(click picture for best view)

God 1, 2006 6" x 10", acrylic on paper
(click picture for best view)

Johnny Tungkara, 2008 40" x 30", acrylic on paper
(click picture for best view)

__________________________________
All paintings by Jon Read a.k.a. The Wiggins
Copyright 2009

INTERVIEW WITH JON READ

2009-04-16T13:14:00.000-07:00

Q and A via e-mail April 2009

S+U: Your paintings seem like an amalgam of late night Sci-Fi, TV, religion, mythology and history. Is painting a way of coming to terms with all the junk/culture you've been exposed to over the years, or an outlet for something completely different?

JR: Well, I think all of the things you listed are connected… It’s a way to process and cope w/ the horror of the real world… Even history is an escape. But, yeah, I never wanted to hide my relationship w/ this low brow stuff, it is part of mental landscape. Also I think this "junk culture" in the end, will be considered the high art of our time.

S+U: How and by whom? It seems like the people who are writing high art-history can only deal with the “low bro” through concepts like “kitsch” and via irony.
Wouldn’t it take a sort of mental landslide for this to happen?

JR: Well, I have no idea who (super evolved robots that have replaced us?). The thing is most art these days is about art or whatever. It’s a way for "smart" people who can’t do math to feel good about themselves. I just don’t see the post modern scene having much of a shelf life.
It’s not the human stain, it’s not primal.

S+U: There's a sort of post-apocalyptic vibe to some of the paintings; ruins and a mix of futurism meets caveman savagery - a state of disorder and confusion. Have you given any thought to why you're drawn to these worlds?

JR: These works are from a project that my friend Brian McDonald and I have been working on for the past few years. The story takes place in a world in which there was a nuclear war in 1983 (which there almost was) and what my life would have been like if that had happened.
I'm a teenage shaman warrior living in a red skied, mutant filled, radioactive jungle that was Cleveland, OH. It’s about reinvention, adolescence and dealing w/ fear...
And yeah, I think that the ROAD WARRIOR is the greatest art work of the 1980s.

S+U: How do you start a new painting? Do you make sketches first to figure out what goes where and what looks best, or...?

JR: I work out the drawing w/ a pencil on the surface, then block in the color, then put in the line. Sometimes, I'll use comics to help w/ modeling the characters.

S+U: In one of the paintings, there's a cowboy and a caveman whuppin' some poor angels ass and in the background there are nice houses floating on fluffy clouds - do you recall what you had in mind when you did that one?

JR: That piece had to do w/ a series I was doing about un-illustrated religions. After I finished art school (which didn’t go well, cause I was dealing w/ these same themes back then and post modern art professors HATE God), I got a job making and restoring Catholic art.
So, everyday I was surrounded by dead Christ, dying Christ, or zombie Christ.
I was basically helping these worshippers relate to their Lord through imagery.
This got me thinking about the faiths that never had pictures made about their myths (for whatever reason).
So, this piece is about the GHOST DANCE faith, which was born from the near genocide of the North American Indian. The religion was created on reservations and told of a time where the earth would crack open and the Buffalo would come thundering out, and all the dead warriors would ride down from the heavens and drive the white man into the sea.
In my story this time has come to pass and the Christians are kicked out of the New World, which causes a war w/ heaven.
The cowboy is a white man that has sided w/ the Indians on their holy war (he wants the freedom of the Wild West to go on forever, too). And that's not a cave man, it’s a Great Ape and it’s a reference to Clint Eastwood's sidekick from 'ANY WHICH WAY BUT LOOSE', which isn't a Western, but, what the hell.

S+U: Did you play the post modern game in any way at all, when you went to art school? Try and experiment within that trend, or did you detect the bullshit from day one and just stay away from it?

JR: Yeah, I did some stuff where I layered imagines, fields of color and stuff. People liked it, but I was just doing it to fit in.
I never knew when to stop on a piece. I had fun w/ it I guess.
But yeah, I was never sold on the post modern art ideals. And I now work in a super hip art space, so I can fake it really well!

S+U: What’s in line for the Wiggins musically and Jon Read artistically?
Have you got new releases in the works and more exhibitions lined up?

JR: I have a few music releases that are in the works.
Artistically, I have the post nuclear book coming out (someday) and I might be doing some design for a cartoon that some TV-producer friends of mine are working on.

S+U: Is there any chance of seeing you abroad with any of your projects?

JR: I'd love to get back to Europe (or just show over there)… I just don’t know too many people over there.

S+U: Well, I hope something’ll work out...
Lastly, now that you’ve already mentioned two of your favorite art works (Road Warrior and Any Which Way But Loose), please tell us about a few more favorite movies/albums/paintings/people, or whatever, which you feel in some way has helped influence you artistically…

JR: I Like: The Simpson, Wallace Wood, Over the Edge, the Cohen Brothers, David Lynch, Desmond Dekker, Elvis, Andy Warhol+ the Velvet Underground, The Modern Lovers Henry Darger, Catholic art from the middle ages, American Indians/Mayan art, a…a…a...all my friends (too many to list!).
Thanx.

Links:
The Wiggins on myspace
Another interview with Mr Read

BITING ROCKETS

2009-04-07T13:04:00.000-07:00

Rocket #01 (click picture for best view)

Rocket #02 (click picture for best view)

Rocket #03 (click picture for best view)

Rocket #04 (click picture for best view)

Rocket #05 (click picture for best view)

Rocket #06 (click picture for best view)

Rocket #07 (click picture for best view)

Rocket #08 (click picture for best view)

Rocket #09 (click picture for best view)

Rocket #10 (click picture for best view)

Rocket #11 (click picture for best view)

Rocket #12 (click picture for best view)

Rocket #13 (click picture for best view)

Rocket #14 (click picture for best view)

Rocket #15 (click picture for best view)

Rocket #16 (click picture for best view)

__________________________
Album covers selected by QBICO
More covers to follow

ILTH

2009-04-03T13:23:00.000-07:00

Untitled#89712 (click picture for best view)

Untitled#4568536 (click picture for best view)

Untitled#79769 (click picture for best view)

Untitled#89895 (click picture for best view)

Untitled#9801 (click picture for best view)

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Untitled#787895 (click picture for best view)

Untitled#049803 (click picture for best view)

Untitled#98049 (click picture for best view)

Untitled#760974 (click picture for best view)

Untitled#784988898 (click picture for best view)

______________________________________
All collages are handmade 12"x12" - no computer
Copyright by Christopher J. Erickson
aka Christopher ILTH
2009

INTERVIEW WITH ILTH

2009-04-03T13:10:00.000-07:00

Q and A via e-mail, March 2009

S+U: I counted approximately 148 different tags on your Flickr profile. I suppose they're all representative of your work in some way, but if I asked you to pick just 10, which ones would you select?

ILTH:
Dystopia
Collage
Celestial
Chance
Void
Sacred
Macabre
Imagination
Esoteric
Space

...looking over this list, I must add: dreams, one of the most important for sure. Also: circle and buildings. Let me add symbolism, as well. It's not easy narrowing down the list!

S+U: There are several art movements on the list, as well. I.E. Art Brut, Cubism, Dada, Futurism etc. Do you remember when you first encountered some of those works and how you initially responded to them and which kind of "art" were you into, before you discovered those?

ILTH: Dada and Surrealism: read about it in an article in Search and Destroy zine... I might have had an intro before that, but I don't remember.
I always remember liking art before, but Dada and Surrealism and then the other 20th Century isms turned me on as well ... the manifestos... I dig that - and a cheaper means of making art and the different ways with objects and collage.

S+U: Do you listen to music when you work? Are there any particular sounds you prefer while working…

ILTH: Music is definitely apart of it. Shit, I listen to whatever I like. I don't have anything set aside for making collages. Throbbing Gristle is always a favorite, though.

S+U: Besides "the old masters" and various images that catch your eye or imagination, which you then use in the collages, what other types of visual stimuli do you seek out?
Are there any living visual artists whom you think have nailed "it" and do you have any particular spots where you live or have traveled to, that appeal to the dystopian/sacred/macabre/void aesthetic?

ILTH: Other visual stimuli would be round objects and landscapes. Besides the content, the color and clarity of the pictures is also important.

"Nailed it"? David Lynch, R. Crumb, Roy Anderson's movie: Songs from the Second Floor.

Places I've traveled... Well, Chicago has a lot to do with that dystopia and void. All the people hustling to and from and as a friend put it the other day "this city is grey" in reference to the winter and all the salt covering the ground. Detroit and Cleveland get an honorable mention, too!

S+U: Some of the collages are very dense and detailed and some are almost deserted image wise. Do they play off of each other or are you moving towards a certain direction when it comes to balancing composition and image?

ILTH: The two different approaches deal with 1) filling all space and 2) using the open/unused space.
...hopefully that answers your question.

S+U: It does. Last question - how big a part does chance play when you work? Are you prepared to ditch the original idea if something suddenly turns up, or do you stay true to the initial thought you had regarding the piece, during the whole process?

ILTH: I find an image/s I like and cut it out. Chance plays a role with the availability of sources and what I happen to find.
I have an idea of what I am going for, but as I am making the picture I tend to reshape and mold and take away. I try to limit: keeping open spaces, also - more often than not – I work on the same 12"x12" format.

links:
http://www.flickr.com/photos/ilth
http://www.myspace.com/dailyvoid
http://www.myspace.com/tarantismosummit